See things in terms of other things. Feel things in terms of other feelings. Let your senses cross! I had planned to write about comparisons today.
I have been one acquainted with the night.
I have walked out in rain—and back in rain. I have outwalked the furthest city light. I have looked down the saddest city lane.
I have passed by the watchman on his beat And dropped my eyes, unwilling to explain. I have stood still and stopped the sound of feet When far away an interrupted cry Came over houses from another street, But not to call me back or say good-by; And further still at an unearthly height, One luminary clock against the sky Proclaimed the time was neither wrong nor right.
Petals on a wet, black bough. Those Winter Sundays Sundays too my father got up early and put his clothes on in the blueblack cold, then with cracked hands that ached from labor in the weekday weather made banked fires blaze.
No one ever thanked him. I'd wake and hear the cold splintering, breaking. When the rooms were warm, he'd call, and slowly I would rise and dress, fearing the chronic angers of that house, Speaking indifferently to him, who had driven out the cold and polished my good shoes as well.
What did I know, what did I Comparison two poems of love's austere and lonely offices? Though wise men at their end know dark is right, Because their words had forked no lightning they Do not go gentle into that good night. Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay, Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight, And learn, too late, they grieved it on its way, Do not go gentle into that good night. Grave men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light.
And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I pray. Do not go gentle into that good night.
Rage, rage against the dying of the light. In My Craft Or Sullen Art by Dylan Thomas In my craft or sullen art Exercised in the still night When only the moon rages And the lovers lie abed With all their griefs in their arms, I labour by singing light Not for ambition or bread Or the strut and trade of charms On the ivory stages But for the common wages Of their most secret heart.
Not for the proud man apart From the raging moon I write On these spindrift pages Nor for the towering dead With their nightingales and psalms But for the lovers, their arms Round the griefs of the ages, Who pay no praise or wages Nor heed my craft or art.
The Most of It He thought he kept the universe alone; For all the voice in answer he could wake Was but the mocking echo of his own From some tree—hidden cliff across the lake.
Some morning from the boulder—broken beach He would cry out on life, that what it wants Is not its own love back in copy speech, But counter—love, original response.
And nothing ever came of what he cried Unless it was the embodiment that crashed In the cliff's talus on the other side, And then in the far distant water splashed, But after a time allowed for it to swim, Instead of proving human when it neared And someone else additional to him, As a great buck it powerfully appeared, Pushing the crumpled water up ahead, And landed pouring like a waterfall, And stumbled through the rocks with horny tread, And forced the underbrush—and that was all.The Poems of John Donne: Edited by E.
K. Chambers: With an Introduction by George Saintsbury: This expertly edited two-volume edition of the master of metaphysical poetry features modernized spellings and extensive notes.
Comparison: Sample Literary Essay, Two Poems Identify & introduce each piece and conclude with the thesis--the point you are making about the two pieces.
The Complete Poems: Emily Dickinson: Comprising poems of the Belle of Amherst, whose life of the Imagination formed the transcendental bridge to modern American poetry. Bronwen Wallace’s poem, “Common Magic,” and Rabindranath Tagore’s poem, “An Ordinary Person,” reveal how ordinary people and events can be special and extraordinary. Students learn to write comparison poems using figurative language such as metaphors and personification. Similes, metaphors, and personification are examples of figurative language used in poems of comparison. Similes. Similes compare two unlike things that have something in common, using the words like or as to make the comparison.
The Aesthetic Movement, as exemplified by “The Indian to His Love,” by W. B. Yeats, seems lifeless and insipid when compared to . Comparison Poems. Below are examples of poems about comparison. This list of poetry about comparison is made of PoetrySoup member poems.
Read short, long, best, famous, and modern examples of comparison poetry.
This list of works about comparison is a great resource for examples of comparison poems. Heartfelt Thanks to all of the visitors who have found their way to the site, and to all my teachers(all of you), those who supported my efforts, and the many who allowed their work to be displayed here, and of course, my wife Paula for reminding me what time it was in the wee hours of the morning.
Writing a comparison between two poems needn't be overly difficult if you break it down into segments beforehand. Technically speaking, to compare two poems means to find the similarities between them, but it could also mean to discuss in detail any insightful .
Of the two poems I have looked at my favourite has to be "When all the Others" by Seamus Heaney as it is more uplifting while "Those Winter Sundays" as Robert .